randian | 燃点

吕松画中的这些诡异的幽暗之地到底为何方？充满象征景色中的独自徘徊之人又为何人？
 
 
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我們非常榮幸可以於AO Vertical Art Space為王旻老師舉行他於香港的首個個人作品展覽。 「象玄」— 老子《道德經》第二十五章 >> 更多

风景是什么？对于现代人，除了节假日中置身风景中面对镜头自恋或作态的背景，风景早已被排挤在都市生活的狭窄边缘外，如照相师在拍照婚纱的影楼里架起的布景，把普罗旺斯阳光下紫色薰衣草的浪漫风景临时支架在我们心灵的荒地上。然而，对风景的渴望是现代人生活历程中的回忆与想象，幻想与憧憬。 >> 更多

上海James Cohan画廊荣幸推出三位中国艺术家的绘画作品： 黄渊青，欧阳春和石至莹。 展览将于2013年7月6日开幕，并持续至8月31日。开幕酒会将于7月6日，星期六，晚上6点至8点举行。 >> 更多

和立体主义一样，波普艺术同样仰仗于两位开山鼻祖，正是他们为其他所有当代艺术后辈奠定基石。罗伊•里奇特斯坦（Roy Lichtenstein，1923-1997年）相当于布拉克（Georges Braque），安迪•沃霍（Andy Warhol）相当于毕加索（Picasso)。两人中，里奇特斯坦是更安静、更好学、更保守的那一位，但他对通俗漫画石破天惊的改造、精致化和重予语境化构建了一种语法对应我们的图像消费之路，反之亦然。 >> 更多

(English) Galerie Urs Meile takes great pleasure to announce the opening of Empty / Not Empty, Qiu Shihua’s (*1940, lives and works in Beijing, Sacramento and Shenzhen) first appearance since his last show seven years ago in our gallery in Lucerne. >> 更多

(English) William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多