“廿年回归前后话”, 1aspace | “广东快车:来自珠江三角洲的艺术”,M+ 展亭 | Fereydoun Ave,“阿巴斯国王和他的男仆”,Rossi & Rossi | 黄琮瑜“离心力”,汉雅轩 | Jacqueline Kiyomi Gordon“catchy”,Empty Gallery | 陈德良“离境陈德良与越南现代艺术的交织”,德萨画廊
(English) The smile is a cliché of contemporary art in China. Apparently, anyway.
张怡,冯晨,阿彼察邦·韦拉斯哈古,上海种子……
(English) In the roots of Western culture, walking up a mountain begins with the Greek myth of Sisyphus, the King of Ephyra who, depending on the story, was condemned by the gods for overweening pride, wisdom, duplicity, and defiance—each shades of independence.
比利安娜在上海双年展期间推出的群展“好景不常在”,没有带来任何的意外。正如她一直以来坚持的机构批判方向及工作方法,新一批尚未被当前主流艺术系统接受认可的年轻艺术家鱼贯登场。
M50艺术区,一个坐落于苏州河畔的缩小版798,见证了许多画廊的兴衰交叠。唯独香格纳,携同其代理的丁乙、张恩利、徐震等本土艺术家,一直坚守在这里。每一个展览的开幕都会聚集艺术家和各路藏家,评论家只能屈居配角。
新加坡艺术周的喧嚣与狂潮已成陈迹,与之相关的展事则将持续蒸腾至明年。紧随其后,一系列展览新鲜出炉,下面是其中一些值得注意的例子。
(English) Step into a packrat’s lair, and you see wall-to-wall clutter choking up the space. Hoarding can be such a compulsive psychological disorder that it debilitates a person’s social functioning and sense of reality.
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