randian | 燃点

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

Richard Koh Fine Art (RKFA-KL) is pleased to announce Berlin-based Icelandic artist Georg Óskar’s (b. 1985) >> Read more

‘Folded Veil’ brings together six artists around an exploration of how gestures can conceal reality. >> Read more

Responding to a global culture of image production and consumption in flux, >> Read more

On the occasion of Gallery Weekend 2019, Esther Schipper is pleased to present Ryan Gander’s second solo exhibition with the gallery. >> Read more

Richard Koh Fine Art (RKFA-KL) is pleased to announce Joshua Kane Gomes (b.1993) first solo exhibition, >> Read more

In Slapstick, Todd Bienvenu’s new show at Almine Rech, comedy springs from the physical world failing human ambition. His scenes teem with raucous energy, feeding off the kind of ugly emotions usually swept under the carpet by art world good manners. Humiliation, embarrassment and loss crash-land into his canvases like uninvited guests. Bienvenu’s eye is compulsively […] >> Read more