randian | 燃点

Today, our reservoir of desire is not simply the unconscious mind. “Participation Mystique” situates itself within this reconfiguration of desire. In this immense mirage of their making, the artists use various sensory perceptions to tease out our desire, allowing us to be in touch with the pain and excitement of loss, accident, damage and violence, thereby recognizing the profound spiritual ties between us and the world. >> Read more

Opening on September 10, 2017 at Ink Studio, Making Traces: The Arts of Participation and Refusal is the first conceptual retrospective of China’s seminal ink performance artist Dai Guangyu's performance art practice. The exhibition is curated by Maya Kóvskaya, PhD. >> Read more

“Audiences”International Symposium and Conversations >> Read more

The Shanghai Project and the Rockbund Art Museum are pleased to collaborate and jointly present an international conference, entitled ‘AUDIENCES,’ on 25-26 March, 2017, in Shanghai. >> Read more

In May this year, the Taipei Fine Arts Museum and the Mori Art Museum in Japan will jointly organize and present the exhibition “Lee Mingwei and His Relations: The Art of Participation.” >> Read more

One of the core genre tools often deployed for exhibitions intended to invite public participation is, of course, participatory art. “Inflation!” wisely steers away from anything knotty and relational, instead opting for a more literal form of visitor-work interaction that also makes space for unorthodox relationships between visitors. >> Read more

The Red Brick Art Museum in Beijing has partnered with Lisson Gallery and Greene Naftali to announce Dan Graham’s first solo exhibition in China at the Museum. As one of contemporary art’s most innovative and influential figures, Graham has been at the forefront of many of the most significant developments in art, including conceptual art, […] >> Read more

Rockbund Art Museum (RAM) is delighted to announce the launch of the annual art project “RAM HIGHLIGHT 2017: DISPLACE”, >> Read more

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more

Shanghai Project, and its theme of Envision 2116, considers mankind’s future – 100 years from now. >> Read more