randian | 燃点

This spring Ben Brown Fine Arts presents Slumber Song, the first solo exhibition in the UK of contemporary Chinese photographer Chen Wei. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more

Zhou Dunyi, a famous ideologist in the Northern Song dynasty, mused in his Tai Ji Diagram that at the beginning of the universe it was Wuji, >> Read more

Perrotin Hong Kong is pleased to present the gallery’s first soloexhibition with Japanese artist Mr. since 2016. >> Read more

On very rare occasions an artist has the pleasure of showing artworks in the perfect place for them. Early this year Yuan Yuan (b.1973) was invited to spend time at Palazzo Terzi, which has been in the same family for over 500 years. >> Read more

Any set of random numbers that are deprived of their contexts are imbued with meanings. >> Read more

Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more

It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more

When I first saw Dan Graham, he stood almost anonymously by the wall, white hair and beard, a checked-flannel shirt and old cardigan.
 
 
 
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