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2018.07.24 Tue, by

Film Screening II
Edouard Malingue Gallery
Hong Kong

Edouard Malingue Gallery (Hong Kong) is pleased to present the second edition of ‘Film Screening’, a summer programme initiated in 2017 focusing on moving image. >> Read more
2018.07.05 Thu, by

Fantastic Grounds: Jiu Jiu and the Politics of the Digital Image

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more
Think, 2018.06.29 Fri, by

Is Sound Critical?—”Grounds for Sound” Research and Practice

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more
Extra, 2018.04.13 Fri, by

Ran Dian Statement

(中文) 陈界仁先生(下文均用陈先生代替)对卞卡(下文均用卞代替)发表在《燃点》的《现实、诗学和谱系,然后呢?》一文的指控,我们感到遗憾。 >> Read more
Extra, 2018.03.17 Sat, by

a.f.art theatre Fangling
‘Weightless’
Don Gallery

a.f.art theatreFangling’s second show at Don Gallery, “Weightless,” revolves around the conjunctures of alienation and theatricality, >> Read more
Extra, 2018.03.01 Thu, by

ZHAO WENLIANG and YANG YUSHU
Crescent: Retrospectives
Beijing Inside-Out Art Museum

How to present a case study of these two artists who have had such a long career is indeed a challenge. Their practice dates back to the 1950s and their entire work, which spans decades, offers a unique insight into China’s social transformation and artistic revolution from the 1950s to the present day. >> Read more
Extra, 2018.02.26 Mon, by

Liang-Pin Tsao
“Becoming/Taiwanese”
TKG+ Projects

Liang-Pin Tsao: Becoming/Taiwanese pivots around Martyrs’ Shrines across the island. Capturing the Martyrs' Shrines through photography, the artist then transfers the imagery along with archival images of the Shinto shrines onto light boxes, juxtaposed with historical documents, in an attempt to foreground the past relationship between Taiwan and Japan. >> Read more
Extra, 2017.12.30 Sat, by

BAD NEW DAYS AHEAD
Taikang Space

(中文) 冬至刚过,对生活于北半球的人们来说,一年中最漫长的黑夜已告终。 >> Read more
Extra, 2017.09.28 Thu, by

BEING INFORMATION
PERSON-a
SSSSTAR

Artist is like a train that goes in the opposite direction, going astray at his/her own will, which inevitably crushes fiercely into the source of information. Dazzled in eyes and sees a figurative “person”, or a blurry illegible “even”, or a time slapped into the face because synchronicity, or a place with nobody during a […] >> Read more
Think, 2017.09.26 Tue, by

New Materialism Introduction
What May I Hope For?

(中文) 在学术界,革命和激进的思想是通过与学者和学术传统的某种约定(engagement)实现的,而这些学者和传统则来自于受到册封的过去。当代人阅读、或者更为通常的情形是重读旧文,从而产生了无法落入这些文本之主流被接受情形的“新”解读。 >> Read more

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