randian | 燃点

Tang Contemporary Art is proud to announce the two-person exhibition “Paysage” for Wang Du and An Xiaotong at Tang Contemporary Art Beijing Space II from July 14 to August 23, 2018. >> Read more

For the first edition of Condo Shanghai, AIKE is pleased to host Peres Projects, Koppe Astnerand Soy Capitan and present the exhibition featuring three emerging painters: Ajarb Bernard Ategwa, Grace Weaver and Wang Xiaoqu. Each of the artists from different continent explores the theme of figure painting with distinct approaches. Ajarb Bernard Ategwa was born […] >> Read more

Opened on November 28, 1997, Guangdong Museum of Art is a modern multi-functional museum of plastic art, which is non-profit cultural institution open to the public and serving the society and social development. From June 29, 2011, it has been free to visit. In the same year, it was named as a national key museum […] >> Read more

LUXELAKES·A4 Art Museum is honoured to present “MARTIN BOYCE - HANGING GARDENS”, the first institutional presentation of Martin Boyce’s work (*1967, Hamilton UK) in China. >> Read more

Banyan Commune is a unique phenomenon of community life and civil culture in southern China, a gathering place traditionally served as a community center for the neighborhood. >> Read more

a.f.art theatreFangling’s second show at Don Gallery, “Weightless,” revolves around the conjunctures of alienation and theatricality, >> Read more

Shanghai—Pearl Lam Galleries is pleased to present Ganjiakou 303, >> Read more

China’s first design hub launches this week with Mining the Digital, Values of Design curated by London's V&A Museum and Nurturing Dreams, dedicated to the center's renowned architect Fumihiko Maki >> Read more

We are not only living in an era that witnesses mass mobilization caused by globalization. From the migration of population driven by production >> Read more

Art has no equivalent of the Skyscraper Index, the notion that record-breaking towers tend to be built, hubristically, just prior to an economic crisis. The top end of the art world seems to ignore crises altogether (at least the part that doesn’t invest in tall buildings). Inflationary tendencies are observable in the art world, though, in uppity auction prices, the spread of private museums and art storage facilities and, seemingly, in art itself, no doubt partly to fill all the cavernous museums being built. >> Read more