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2013.04.24 Wed, by

Pace London

Artists represented (Chinese): Hai Bo, Hong Hao, Lee Tzu-hsun, Li Songsong, Liu Jianhua, Mao Yan, Song Dong, Sui Jianguo, Yin Xiuzhen, Yue Minjun, Zhang Huan, Zhang Xiaogang >> Read more
Think, 2013.04.15 Mon, by

Art in the Age of Mass Production: Is the Long Museum Just Another Museum?

With money and space, the Long Museum has potential, but do they have the curatorial chops to turn a building into a museum? Despite a less-than-mind-blowing first show, it's nonetheless a good place to see a very extensive collection of Chinese art. >> Read more
Think, 2013.02.13 Wed, by

Despite Middling Sales at Art Stage Singapore, the City Lives Up to its Hype

Though Art Stage 2013 failed to deliver a great number of adventurous collectors, fair offerings were of consistent quality. And unlike Hong Kong and Taipei, Singapore’s galleries presented interesting shows.... >> Read more
History & Theory, 2012.02.06 Mon, by

All Roads Lead to Vancouver:

Standing at a distance from the bubbling cauldron that is Chinese contemporary art, Vancouver-based Zheng Shengtian, Managing Editor of Yishu, remembers his work with Annie Wong and their early efforts to promote Chinese contemporary artists from abroad. >> Read more
History & Theory, 2011.11.25 Fri, by

Follow! Follow! Follow!

Review of Ji Wenyu & Zhu Weibing’s exhibition at ShanghART >> Read more
History & Theory, 2011.10.24 Mon, by

Interview with Elisabeth de Brabant

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China art market. >> Read more
Think, 2010.12.15 Wed, by

Why Care about the Shanghai Biennale?

How a Shanghai institution helped legalize avant-garde art practice. >> Read more
History & Theory, 2010.09.09 Thu, by

The Double Way

Since the late 1980s, contemporary Chinese art has gained an increasingly high profile within the international art world. This profile has accrued for four substantive reasons: first, because of the sometimes highly innovative way in which producers of contemporary Chinese art have sought to combine/hybridize attitudes, >> Read more

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