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Tang Contemporary Art Hong Kong is proud to announce the opening of Shen Ling’s solo exhibition “Intensity of Concreteness”. The exhibition will present series of oil paintings and works on paper by celebrated Chinese female artist Shen Ling and highlight artist's pictorial universe that is based on her sensitive, poetical, empathic interpretation of human complexity. >> Read more

Capsule Shanghai is pleased to announce "Wang Haiyang", a solo exhibition by the artist showcasing his latest experimental works. >> Read more

Madani's work posits a world where primal desires are unrestrained by convenient norms. Her works are subsumed by light that points both outward and inward, at human instinct and upended social ritual. Paintings can be grotesque, violent, tender, obscene, and hilarious. >> Read more

(中文) 影子是关系的产物，幻影则是意识的产物，刘韡的作品是影子与幻影的重影，也是艺术家意识与工人劳作的重影。 >> Read more

A slab of marble, a material associated with beauty, opulence, civilisations, tumults down a quarry, >> Read more

Singapore—Pearl Lam Galleries is pleased to present Crossfades and Drawn Forms, a duo exhibition featuring a selection of works by Iranian artist Golnaz Fathi and Chinese artist Lan Zhenghui. Transforming the gallery interiorinto an echo chamber of lines and interventions, the exhibiting works include paintings, a series of lightboxes, and a video projection. >> Read more

Shanghai—Pearl Lam Galleries is pleased to present the summer group exhibition Undercurrents in Shanghai, organized by the galleries’ associate curator Xia Jing. >> Read more

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more

(June 26th, 2018, Shanghai) For the first edition of CONDO Shanghai, >> Read more