randian | 燃点

Echoing the first words of A Tale of Two Cities (1859), Charles Dickens’ famous novel set at the time of the French Revolution, this exhibition jumps forward to the present to consider how contemporary art and aesthetics use the past to express the future. >> Read more

Echoing the first words of A Tale of Two Cities (1859), Charles Dickens’ famous novel set at the time of the French Revolution, this exhibition jumps forward to the present to consider how contemporary art and aesthetics use the past to express the future. >> Read more

“@What—New Contemporary Art from China” (ArtMIA Caochangdi Space) marked the twentieth anniversary of diplomatic relations between the People's Republic of China and the Republic of Korea. Liang Shuhan interviews curator Liu Chunfeng for a better understanding of the Sino-Korean dialogue in contemporary art. >> Read more

Please join us in Shanghai at the China Art Museum, halls 15 and 16, for the exhibition "China Dream, Thirty Years: Liu Heung Shing's Photography" opening on July 25 at 6pm. >> Read more

From May 30 to August 11,2013, ARTMIA foundation would combine with the National Art Museum of China, held the exhibition @What – New Contemporary ART from China in ARTMIA Caochangdi Space, Beijing. >> Read more

eaugeste Shanghai is happy to invite you to the Opening of the New Exhibition “Stray Tulips” by WANG LIN Saturday 2nd of March, 2013 from 3pm to 7pm. Wang Lin, the only stewardess cum photographer in China, has studied photography at the Beijing Central Academy of Fine Art. Winner of the Shiseido Prize for Best […] >> Read more

Manifesta in St. Petersburg; Wang Chunchen in Venice; Iberia Center renamed Hive Center; Launch of ArtShare; MAP Office wins Sovereign Art Prize >> Read more

As we might have imagined, the Chinese art scene of 2012 was full of glitz and clamor. This was demonstrated most aggressively through the curation in the first large-scale solo show of the year... >> Read more

For the vast majority of contemporary artists, finding one’s personal style and distinct aesthetic may be the only possible path towards success — even if style and distinctiveness are not sought by the artists themselves. Yet the exhibition “Magnanimity — a Collection of Atypical Works by 21 Chinese Artists” rejects this  conception by displaying the atypical works of some 21 artists. >> Read more

On the First Kiev Biennale of Contemporary Art >> Read more