>>
SEARCH >>
EN
>>
<<

SEARCH AGAIN

CATEGORY
 
DATE
  FROM:
  TO:
  EX: 1/30/2012
KEYWORD
 
  >> Search
Artist profiles, 2020.09.23 Wed, by

The Maschkera
A story inspired by Han Feng’s new work

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more
Artist profiles, 2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more
Artist profiles, 2019.09.17 Tue, by

Pal(ate)/ette/ at SGA Shanghai

Pal(ate)/ette/ will show artworks throughout Three on the Bund with the exhibition’s core display in SGA. Curated by NRM,Pal(ate)/ette/ reflects the spectrum of associations of the homonyms Palateand Palette; a synthesis of the senses – taste sight hearing smell taste and touch – and presenting Three on the Bund as a cultural whole. >> Read more
Artist profiles, 2019.07.25 Thu, by

The Violence of Gender

对于“性别的暴力”的审视,总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述,经由身体和文化的建构,都会反作用于评论者自身,成为一种自诘式话语的变体。 >> Read more
Artist profiles, 2019.04.02 Tue, by

M+ announces the six artists shortlisted for the inaugural Sigg Prize, with the winner to be announced in January 2020

M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, >> Read more
Artist profiles, 2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
Artist profiles, 2018.10.31 Wed, by

The Result of Open Call for 11th CCAA

On 25 July 2018, Chinese Contemporary Art Award (CCAA) gave an official notice of Open Call for the 2018 CCAA Artist Award. By 30 August 2018, CCAA has received 75 applications from 20 provinces such as Beijing, Shanghai, Hubei, Shandong, Hong Kong and Tibet. The works cover a wide variety of media, including painting, sculpture, photography, installation and performance. >> Read more
Artist profiles, 2017.08.21 Mon, by

WU KE
Another Shan Shui
Chelsea College of Arts, London

Wu Ke (b.1969), an established painter from China will present his unconventional creations of traditional Chinese landscape paintings to a British audience for the first time, at his forthcoming solo exhibition Another Shan Shui at Cookhouse Gallery Chelsea College of Arts this September (21st-26th). >> Read more
Artist profiles, 2017.07.30 Sun, by
Artist profiles, 2017.05.26 Fri, by

VIVA ARTICLE VIVA

A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more

« Previous Page Next Page »