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Interviews, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
Interviews, 2020.03.07 Sat, by

Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> Read more
Interviews, 2020.02.08 Sat, by

Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> Read more
Interviews, 2019.11.08 Fri, by

Art Taipei 2019 Review

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more
Interviews, 2019.09.16 Mon, by

Wang Wei
Edouard Malingue Gallery

Edouard Malingue Gallery (Shanghai) is pleased to present Wang Wei’s solo exhibition “That is a Layer of Gauze that Mimics the Texture of the Wall” on 7th September. >> Read more
Interviews, 2019.01.16 Wed, by

SARAH CROWNER
PAINTINGS FOR THE STAGE
Simon Lee Gallery, Hong Kong

Simon Lee Gallery, Hong Kong, is pleased to present the first solo show in Asia by New York artist Sarah Crowner. >> Read more
Interviews, 2018.11.12 Mon, by

Mai-Thu Perret
Simon Lee Gallery, London

As part of its Viewing Room programme, Simon Lee Gallery is pleased to present a solo presentation of ceramic works by gallery artist Mai-Thu Perret. Known for her multi-disciplinary practice that engages installation, performance, sculpture, textile, and the written word, Perret derives inspiration from such avant-garde art movements of the twentieth-century as Dada, >> Read more
Interviews, 2018.11.12 Mon, by

Michael Hilsman
Pictures of M. and Other Pictures
Almine Rech Gallery, New York

Almine Rech is pleased to announce the upcoming exhibition, Pictures of M. and Other Pictures, Michael Hilsman’s first solo show with the gallery. >> Read more
Interviews, 2018.09.15 Sat, by

MARTIN WEHNER
Qi
Pékin Fine Arts, Beijing

“As an artist deeply committed to the practice of painting, Wehmer considers carefully its continued relevancy in examining ways of seeing. Using the painterly vocabulary of Abstract Expressionism, including complex pictorial structuring and color relationships, he explores figuration and means of representation. >> Read more
Interviews, 2018.06.13 Wed, by

BILLY APPLE
Six Decades 1962 – 2018
Rossi & Rossi, Hong Kong

Rossi & Rossi is pleased to announce the exhibition BillyApple Six Decades 1962–2018, >> Read more

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