randian | 燃点

Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> Read more

Almine Rech London is pleased to present a solo exhibition by Tom Wesselmann, opening January 30th and continuing until March 23, 2019. >> Read more

Kasmin is pleased to announce an exhibition of selected works from the collection of the celebrated New York poet and art critic, John Ashbery (1927 – 2017). >> Read more

Tai Kwun is the Centre for Heritage and Arts, a place of inspiration, stimulation and enjoyment for all Hong Kong people. Tai Kwun aspires to offer the best heritage and arts experiences, and to cultivate knowledge and appreciation of contemporary art, performing arts and history in the community. It is situated at the restored Central […] >> Read more

Art has no equivalent of the Skyscraper Index, the notion that record-breaking towers tend to be built, hubristically, just prior to an economic crisis. The top end of the art world seems to ignore crises altogether (at least the part that doesn’t invest in tall buildings). Inflationary tendencies are observable in the art world, though, in uppity auction prices, the spread of private museums and art storage facilities and, seemingly, in art itself, no doubt partly to fill all the cavernous museums being built. >> Read more

David Zwirner is pleased to announce the gallery's first exhibition dedicated to the work of Ruth Asawa since having announced the representation of the artist's estate earlier this year, which will take place at the 537 West 20th Street location. >> Read more

David Zwirner is pleased to present Josef and Anni and Ruth and Ray as the inaugural exhibition at the gallery's 34 East 69th Street location. Featuring work by Josef Albers, Anni Albers, Ruth Asawa, and Ray Johnson—all of whom were at Black Mountain College in North Carolina in the late 1940s >> Read more

For his first solo show in Seoul, Daniel Arsham presents a series of new pieces inspired by daily objects shown through the prism of destruction—a recurring narrative in his work—with the use of precious materials. >> Read more

Step into a packrat’s lair, and you see wall-to-wall clutter choking up the space. Hoarding can be such a compulsive psychological disorder that it debilitates a person’s social functioning and sense of reality. >> Read more

It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more