randian | 燃点

On 16th December 2017 at 16:30, the Redtory Museum of Contemporary Art (RMCA) will open FUTURE LIFE HANDBOOK, the 1st exhibition in its Young Artists Programme, that will show the work of 6 young artists resident in China and Berlin. An Opening Panel will take place before the opening 14:30 - 16:30, 16th December; Mariana Hahn will present a specially commissioned performance during the opening. >> Read more

Were it not for the list of artists and the brief introduction, “Pan Yuliang: A Journey to Silence” probably would have misled most into thinking it was a modern art show in a contemporary art institution. >> Read more

We are not only living in an era that witnesses mass mobilization caused by globalization. From the migration of population driven by production >> Read more

The exhibition title “Plaster Gong” refers to the performance and activity organized by the Theater magazine that took place on September 3 and 4, 1965. >> Read more

Bernar Venet, Looking Forward: 1961-1984 traces the development of the artist’s distinct conceptual mode, focussing on examples of works that were pivotal in defining his practice. >> Read more

London, May 23, 2017: This September, PHOTOFAIRS | Shanghai returns to China for the fourth year to celebrate the art of the photographic medium. Taking place at the Shanghai Exhibition Center from 8-10 September 2017, the fair is widely recognised as Asia Pacific’s home for cutting-edge photography and a key driver of China’s maturing photography market. >> Read more

We are delighted to announce the opening of Wang Tuo’s first solo exhibition at WHITE SPACE BEIJING on April 7, 2017. >> Read more

People crowd the raft of empty Coke cans and Pepsi bottles. Tourists, clubbers, musicians, students, sun bathers. Protestors are matched with actors, mendicants with diners, a photographer and his model with a mugger and his victim. The flag is red, the sky is grey, but unlike Delacroix’s "original", there is no ship on the horizon, blind or otherwise. >> Read more

The Man Who Never Threw Anything Away borrows its title from an installation of the same name in Ilya Kabakov’s Ten Characters (1988). >> Read more

The King and I is a journey across space and time. It is about a far away Palace and its imaginary stories, transposed like a labirynth or a dream to Shanghai. >> Read more