randian | 燃点

Hanart TZ Gallery proudly presents “The Delayed Everyday” by Lin Tao, a solo exhibition of lacquer art by Dalian-based artist Lin Tao, >> Read more

Yuz Museum is pleased to present “ReReason” by Alicja Kwade, >> Read more

Yuz Museum is pleased to present “ReReason” by Alicja Kwade, the artist’s first solo exhibition in Asia, from December 17th, 2017 to April 1st, 2018. The exhibition features 24 works of art, including 5 monumental installations from the collection of Yuz Foundation. Kwade questions the seemingly immutable and unshakable realities in an innovative artistic language […] >> Read more

In this new body of work I have begun to incorporate new painted surfaces that resemble textiles, >> Read more

BANK is proud to present Chen Zhe's Flown Away Is the Gold of Days - Works from “Towards Evenings: Six Chapters”, >> Read more

Kukje Gallery is pleased to announce Gridded Currents, a group exhibition featuring four artists actively engaged in the global contemporary arts scene, from July 20 to August 20, 2017. >> Read more

A prejudice I wasn’t able to overcome: I find the title of the Biennale unbearable. It literally translates as “Go Art Go” (okay, also “Long Live Art”, but still). >> Read more

Hanart TZ Gallery is honoured to present Luohan Tang Collection’s special selection of exquisite antique lacquer furniture together with Zheng Li’s distinctive shanshui (landscape) paintings at our current solo exhibition “Zheng Li : Reflections of the Classical Garden”. Gardens mirror Chinese culture. Inspiration, composition, style are embedded in poetry, painting, architecture, calligraphy and the many important concepts of Chinese […] >> Read more

Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions. >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more