randian | 燃点

Simchowitz's controversial business model, obstinate personality, omnipresence on social media, and big mouth have consistently earned him a spot at the center of heated and polarized debates about his policy of aggressively stockpiling emerging artists' work so as to compete with galleries and dealers for their market share. >> Read more

Galerie Perrotin, Hong Kong is pleased to present “Sister Feelings”, the second exhibition dedicated to Swedish artist Jens Fänge >> Read more

Following the exhibition Italian Renaissance Drawings from the British Museum, the Suzhou Museum’s Contemporary Art Gallery will house a poetic and modern exhibition by artist Peng Wei. >> Read more

Outline for a story that isn’t a horror story, though it might at first resemble one: The painter paints—an abstraction, a grid, a controlled Cartesian situation. >> Read more

Galerie du Monde Press Preview: Thursday, 17 November 2016, 3-5 pm Opening reception: Thursday, 17 November 2016, 6 – 8:30 pm Exhibition dates: 18 November – 30 December 2016 Venue: 108 Ruttonjee Centre, 11 Duddell Street, Central, Hong Kong Galerie du Monde takes great pleasure in presenting The Realm of the Heart, a solo exhibition […] >> Read more

Cindy Ng’s solo exhibition “Romantic Rhythm” will open at Another Art Center on November 11, 2016 at 15:00. >> Read more

Galerie du Monde takes great pleasure in presenting The Realm of the Heart, a solo exhibition of new work by Zhu Yiyong (b. 1957, Chongqing). >> Read more

The 'Pygmalion effect' is the phenomenon in which higher expectations lead to an increase in performance. Its inverse is the 'Golem effect', by which low expectations lead to a decrease in performance. Both effects are forms of a self-fulfilling prophecy; both observable effects at play in a world divided by the privilege of circumstance. Using these themes, Seton replaces components of antique and modern bentwood chairs with his familiar medium of marble and digitally printed plastic proxies. The result is a series of hybrids in which the mass-produced melds with the hand made. — Excerpt from exhibition essay by Chloé Wolifson >> Read more

The biggest assumption premise of Cosmology is that the universe is three- or four-dimension and infinite. However, in reality, the universe is composed of five dimensions: one dimension is physical, another is temporal, and the other three are spatial. >> Read more

The 1970s were a difficult period for the former members of the Gutai Art Association to maintain their identities as artists. >> Read more