randian | 燃点

The 31 artists/artist groups participating in the project are all members or friends of this artist-run space. In the past two years, they have been moved back and forth, here and there. Such an exchange on the edges of empires also differ methodologically from post-colonial discursive frameworks... >> Read more

If someone were to describe simply these paintings by Han Jianyu, the listener’s first thought would not be of politics. Deep banks of invariant blue-green trees fill the frame or meet crisply with a high, pale horizon tinted with an iridescence that could have been extracted from the foliage. >> Read more

Human society is based upon a pattern, upon coexistence between different patterns. Individual growth cannot get rid of the fate defined by these stereotypes. >> Read more

ASIA NOW, the "boutique art fair" dedicated to contemporary Asian art, will take place from October 19 to 23, 2016, in a new exhibition space located at 9 Avenue Hoche in Paris. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

ART LABOR is very pleased to present five artists exploring exterior and interior environments in rich, >> Read more

Gallery 55 is proud to present “MUCHTOOMUCH” - a multimedia group show from the 7th of November 2018 through the 27th of January 2019. >> Read more

For the final exhibition in Blain|Southern’s Lodger series, the British artist Natalie Dray has created a new series of sculptures, which flicker between rigidity and suppleness, the inorganic and the organic, geometric order and the messy chaos of living things. >> Read more

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more