randian | 燃点

Tartan, felt, rain drop, charcoal and gloom… all these seem unrelated but compose the solo exhibition of Zhang Yunyao, the 2013 Glenfiddich in-residence artist. >> Read more

We are pleased to announce that Zhang Zipiao’s second solo exhibition Blooming at WHITE SPACE BEIJING will be on view on July 18, 2020, in the gallery spaces and online program “spaces” simultaneously. >> Read more

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

Zhou Dunyi, a famous ideologist in the Northern Song dynasty, mused in his Tai Ji Diagram that at the beginning of the universe it was Wuji, >> Read more

Pékin Fine Arts presents Zhang Dali’s latest cyanotypes and figurative marble sculpture in his 3rd solo exhibition with the gallery. Zhang Dali, China’s most well known graffiti artist, stopped tagging buildings marked for demolition and construction in 2006. However, his deep-rooted connection to urban street life remains very much at the core of his practice. >> Read more

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more

Chronus Art Center is pleased to present Jim Campbell & ZHANG Peili: The Flickering Uncertain, >> Read more

For this exhibition, Guo Xi takes audience on a Grand Voyage with “Seventh Prophecy”. It all began with an advertisement released in February of 2015: “Is eyesight a kind of light?” “Eyesight isn’t light, but it can be projected.” “We should release the prophecy as a classified ad in the newspaper, so it could be […] >> Read more

Produced by independent art and culture platform, FORWARD ASSEMBLY, the touring exhibition of internationally acclaimed photographer and film director Wing Shya (夏永康) entitled “Acting Out: 25 Years Behind a Camera” will be unveiled on 7 November 2017 at Shanghai Centre of Photography (SCôP) in Shanghai’s West Bund >> Read more