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2020.09.09 Wed, by

Ugo Rondinone: “nuns + monks”

The recent sculptures nuns + monks by Ugo Rondinone take their rightful place in the continuity of a narrative introduced by the artist thirty-two years ago. A narrative composed of chapters that would never cease to interact with one another throughout a trajectory made up of intertextual questions, back-and-forths, survivals, displacements and reinventions of shapes and attitudes, or of interrogations that are constantly being renegotiated. >> Read more
艺术家档案, 2020.09.01 Tue, by

Show and Tell: Cao Yu’s Gendered Embodiment

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more
艺术家档案, 2020.07.26 Sun, by

Zhang Zipiao, WHITE SPACE BEIJING

We are pleased to announce that Zhang Zipiao’s second solo exhibition Blooming at WHITE SPACE BEIJING will be on view on July 18, 2020, in the gallery spaces and online program “spaces” simultaneously. >> Read more
艺术家档案, 2020.04.22 Wed, by

We Move Among Ghosts
Jakarta Exhibition Explores the Ephemeral Nature of Values, Symbols, and Systems

I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> Read more
艺术家档案, 2020.03.16 Mon, by

Chen Tianzhou ‘Backstage Boys’ at BANK Shanghai

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more
艺术家档案, 2020.03.07 Sat, by

Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> Read more
艺术家档案, 2020.02.08 Sat, by

Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> Read more
艺术家档案, 2019.09.25 Wed, by

Paulina Olowska
Destroyed Woman
Simon LeeGallery, London

Paulina Olowska’s exhibition at Simon Lee Gallery, London, >> Read more
艺术家档案, 2019.09.01 Sun, by

Dear Diary: Three and A Half Performances

Three and A Half Performances…… >> Read more
艺术家档案, 2019.06.17 Mon, by

“Soulmates” at HB station

Being said, in comparison to her predecessors, JY purposely steps back from being an “artist as a creator” to “artist as an observer,” deploying a meticulous and reserved manner to scrutinise the system. >> Read more

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