For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more
The sound and fury of Singapore Art Week has long since come and gone, its associated fair(s) evaporating till next year. In its wake, however, a fresh crop of exhibitions have sprung forth—here follows, in no particular order, some particularly noteworthy examples. >> Read more
The Third Independent Animation Biennale opened on December 12, 2016 at C2 in Shenzhen’s OCT-LOFT. In order to make the exhibition look the part, the curator has delineated six areas... >> Read more
I feel that the exhibitions on November 9 and following it are worth looking at with a sense of doubt about the establishment and with a questioning attitude. Here are my observations. >> Read more
Barlach Halle K is proud to announce the opening of Ni Shaofeng and Deng Huaidong second show ‘Remembering – Reminiscing’ on November 9, 2016. >> Read more