randian | 燃点

OCAT Shanghai is pleased to announce Crossovers - A filmic exploration of history, stories and human remains, organized in collaboration with Arthub. >> Read more

“Before the Beginning and After the End” at Long March Space exhibits a carefully picked selection of a dozen works by seven artists. Some of the works directly touch upon the concept of “time” while the others, viewed under the subject of “time”, invite new imagination and interpretation on the works. >> Read more

Shanghai Gallery of Art is pleased to present REINCARNATION, Cui Xiuwen’s debut solo in the gallery. >> Read more

The Power Station of Art presents, together with theMusée d’Art moderne de la Ville de Paris, Decorum. >> Read more

In an incredibly short time the young Danish artist, Danh Vo, has gained great global recognition with his work, which is at once conceptual and poetic. >> Read more

Credit must be given to the Met, as the exhibition’s wide selection of works allows many unfamiliar Chinese names exposure on an institutional level in the West. Nonetheless, this raises a side issue as well—some of the works exhibited have little relevance to the themes they serve and thus the exhibition sometimes wanders off topic. >> Read more

A review of Zhang Xinjun's solo outing at Telescope, an artist living in Beijing with a scant exhibition record but an enviable reputation among a certain set of artists working in a cool, conceptual mode that embraces interplay amongst genres... >> Read more

More so than whatever a prize like this might mean to the artist, however, is the question of what his success in Shanghai indicates about the Chinese art world at the moment—and, by transference, what role Hong Kong is playing in relation to this system. Whereas artists working in Hong Kong were once fond of saying... >> Read more

weathered root · fleeting eternity pertains to changes that we do to ourselves or to our surroundings. The exhibition attempts to examine the being of nature and artefact, past and present, sociocultural and symbolism. >> Read more

Yin Xiuzhen’s work lacks clear-cut sense of belonging to any time period or style. Her works are flexible, vague and ambiguous. In Yin Xiuzhen’s work, the warmth obtained from the layers of scarves is unbearable, and that which appears ethereal and hazy hides the greatest danger. >> Read more