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2015.09.24 Thu, by

Gordon Cheung The Abyss Stares Back

Private View: 6-8pm, 8 October 2015 Exhibition Dates: 9 October – 21 November 2015 Open Tuesday to Saturday 11 – 6pm or by appointment He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you. […] >> Read more
Artist profiles, 2015.05.28 Thu, by

Yang Fudong
“The Coloured Sky: New Women II”

The subject of “Coloured Sky” is a young girl of indeterminate age, who we never see. She is imagining what it is like to be an adult woman, a glamorized “film” version of her future. >> Read more
Interviews, 2015.04.30 Thu, by

Replicating Reality

Wang Wei is an installation artist who has ranged over various disciplines; over the years, he has held many exhibitions in China and abroad. Randian met the artist at the gallery to talk about the ins and outs of his creative practice... >> Read more
Interviews, 2015.03.03 Tue, by

Wang Wei ‘Two Rooms’ Opening – March 12-Edouard Malingue Gallery

Two Rooms (2015) is an immersive installation created by the Beijing - based artist Wang Wei (b. 1972). >> Read more
Interviews, 2014.05.09 Fri, by

PANDAMONIUM Group Show Opening on 9 May 19:00 – 22:00

A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
Interviews, 2014.05.06 Tue, by

Full Program for Film Sector in Art Basel Hong Kong 2014

This May, Art Basel is launching a sector dedicated to films by and about artists at its show in Hong Kong. >> Read more
Interviews, 2014.04.03 Thu, by

PANDAMONIUM: Media Art from Shanghai

A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
Interviews, 2014.01.15 Wed, by

Art Stage Singapore – first postcard (to Ayi)

I went for a walk and came across the National Art Gallery construction site (the gallery reopens next year). Building behind that looks like a spaceship is actually a spaceship from Planet North Korea. >> Read more
Interviews, 2013.09.26 Thu, by

weathered root · fleeting eternity

weathered root · fleeting eternity pertains to changes that we do to ourselves or to our surroundings. The exhibition attempts to examine the being of nature and artefact, past and present, sociocultural and symbolism. >> Read more
Interviews, 2013.05.21 Tue, by

Inflating an Audience in West Kowloon

One of the core genre tools often deployed for exhibitions intended to invite public participation is, of course, participatory art. “Inflation!” wisely steers away from anything knotty and relational, instead opting for a more literal form of visitor-work interaction that also makes space for unorthodox relationships between visitors. >> Read more

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