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Interviews, 2014.03.21 Fri, by

The Committed Artist: Han Sai Por

Han Sai Por is a Singaporean artist born in 1943. Having studied abroad, she returned to Singapore in 1983, and has since become an internationally-acclaimed artist—particularly for her stone sculptures based on natural forms.
 
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Interviews, 2014.03.13 Thu, by

China Focus—Cramped for Space at the Armory


 
It was difficult, at times, to keep track of everything on offer; particularly chaotic was the China Focus section which, despite the amount of hoopla that surrounded it in the run up to the fair, was squeezed into a small back section.
 
 
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Artist profiles, 2014.01.17 Fri, by

Ang Song-Ming’s Synesthesia Rules!

Ang Song-Ming, tall and lanky, has an easy bearing, with a wry, sometimes incredulous humor that belies the precision and dedication of his work. >> Read more
Artist profiles, 2013.06.13 Thu, by

Favorite Pieces at and around Art Basel HK

(中文) 香港巴塞尔艺术展最佳作品
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Artist profiles, 2013.05.20 Mon, by

Art Basel Hong Kong 2013

Art Basel announced today the participation of 245 of the world’s leading galleries for its first edition in Hong Kong, lead partner Deutsche Bank... >> Read more
Artist profiles, 2013.03.16 Sat, by

Wilson Shieh … Sumbody

In a nutshell, this is a show about reviewing the development of Wilson Shieh’s figurative practice of the past five years and his positioning as an artistic figure. >> Read more
Artist profiles, 2015.07.25 Sat, by

Unfounded Predictions : Sun Xun Solo Exhibition

Singapore, June 2015 - ShanghART Gallery is pleased to present ‘Unfounded Predictions’, Sun Xun’s second solo exhibition in Singapore from 1st August to 4th October 2015. >> Read more
Artist profiles, 2015.06.04 Thu, by

As We Never Imagined: 50 years ofArt Making

This jubilee year, STPI is proud to present its annual special exhibition titled As We Never Imagined: 50 Years of Art Making >> Read more
Artist profiles, 2014.11.03 Mon, by

Beyond the Grid

STPI ends the year by revisiting the print and papermaking explorations of artists who challenge assumptions and expectations of the contemporary “Chinese” aesthetic. >> Read more

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