randian | 燃点

Alexander Ochs Galleries was founded by Alexander Ochs in Berlin in 1997 with Chinese artists as the focus of the gallery, later also including other East-Asian artists. >> Read more

Artists include: Hai Bo Hu Xiaoxiao Liang Yuanwei Li Yousong Ma Qiusha Tang Hui Xiao Yu Yang Shaobin Xie Molin Zhang Dali Hong Hao Hu Xiaoyuan Liu Jianhua Lu Yang Polit-Sheer-Form-Office (PSFO) Wang Guagle Yuan Yuan Yin Xiuzhen Zhao Bandi Hong Lei Huang Yuxing Liu Wei Ma Liuming Song Dong Wang Qingsong Yue Minjun Yin […] >> Read more

Josef Albers, Yto Barrada, Alexander Calder, Chuck Close, Willem de Kooning, Tony Feher, Lee Friedlander, Adolph Gottlieb, Donald Judd, Lee Tzu-hsun, Lee Ufan, Sol LeWitt, Adam Pendleton, Pablo Picasso, Fiona Rae, Robert Rauschenberg, Ad Reinhardt, Bridget Riley, Mark Rothko, Michal Rovner, Robert Ryman, Yin Xiuzhen, Yue Minjun, Zhang Huan, Zhang Xiaogang >> Read more

And there are tremendous artisans in the Chinese market. It would be amazing to see contemporary porcelain. The Koreans are doing very interesting porcelain in contemporary art. It would be nice to be able to go back into woodwork craftsmanship. Chinese contemporary art is getting back into Chinese ink. I think it will happen in time, but it would be nice to see more usage of their ancestry and different crafts. >> Read more

Standing at a distance from the bubbling cauldron that is Chinese contemporary art, Vancouver-based Zheng Shengtian, Managing Editor of Yishu, remembers his work with Annie Wong and their early efforts to promote Chinese contemporary artists from abroad. >> Read more

Review of Ji Wenyu & Zhu Weibing’s exhibition at ShanghART >> Read more

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China art market. >> Read more

How a Shanghai institution helped legalize avant-garde art practice. >> Read more

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China […] >> Read more

Since the late 1980s, contemporary Chinese art has gained an increasingly high profile within the international art world. This profile has accrued for four substantive reasons: first, because of the sometimes highly innovative way in which producers of contemporary Chinese art have sought to combine/hybridize attitudes, >> Read more