randian

2017.03.03 Fri, by

Portrait Hot: Taikang Photography Collection

How we see matters what we are. This is especially true in the domain of political image and political portraiture. >> Read more

思考, 2016.12.02 Fri, by

Telofossils, Network Hybridity, and the Politics of Pleasure in Speculative Realism

For a world that we cannot perceive, what does it matter whether it exists or not? Perhaps you can further demonstrate that, though an autonomous world is imperceptible, it can still think for us. Yet in this sense, such a world becomes one stipulated by human thought, and ultimately cannot escape the fundamental relationship between thinking and being. >> Read more

思考, 2016.07.28 Thu, by

Creativity in Shenzhen

Shenzhen, as a starting point and as a shadow, faces the huge challenge of China’s transformation from “production” to “creation.” >> Read more

思考, 2016.05.30 Mon, by

崔洁 Cui Jie
“Latter, Former”
MOTHER’S TANKSTATION
Dublin

Everything you need to know, personage, source and structures, laid bare. Form+language, purpose+process = constructed outcome. >> Read more

思考, 2016.05.27 Fri, by

“WAITING FOR QIN FENG”
Fondazione Giorgio Cini, Venice

“Waiting for Qin Feng,” a solo exhibition of work by Chinese ink artist Qin Feng, will be on view in Venice from May 19 - June 19, 2016. Installed in three locations including the former Monastery of San Giorgio Maggiore... >> Read more

思考, 2016.05.20 Fri, by

Why Commentaries on Cao Fei’s Retrospective Don’t Make Total Sense

The plain gesture of juxtaposing a minor group of Guangzhou cosplay enthusiasts with cranes at construction sites and migrant workers doesn’t really distill the essence either of societal change in contemporary China or “the numbing state of modernity” >> Read more

思考, 2016.04.16 Sat, by