randian | 燃点

The fifth edition of West Bund Art & Design will take place from 8 to 11 November, 2018, in Hall A of the West Bund Art Center and the newly constructed Hall N. Located directly across from Hall A, Hall N offers nearly 10,000 square meters of exhibition space. >> Read more

Opened on November 28, 1997, Guangdong Museum of Art is a modern multi-functional museum of plastic art, which is non-profit cultural institution open to the public and serving the society and social development. From June 29, 2011, it has been free to visit. In the same year, it was named as a national key museum […] >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more

Banyan Commune is a unique phenomenon of community life and civil culture in southern China, a gathering place traditionally served as a community center for the neighborhood. >> Read more

Taikang Space will present “Genders Engender”, a major exhibition of the year, accompanied by forums, workshops and publications altogether. >> Read more

ShanghART S-Space is a special project space of ShanghART Gallery with no fixed space and time. S-Space will hold exhibitions for artists and curators in terms of different curatorial ideas. For this time, S-Space moves into ShanghART Beijing, it will present a group show “Shared Narrative(s)” curated by MIAO Zijin. >> Read more

Amidst the proliferation of private art museums in Shanghai and around China, smaller collector spaces are also opening with more modest but also more focused ambitions. Influential Shanghai collectors, Andrew and Lingling Ruff, opened 166 Art Space in late 2017. Its third show, curated by Josef Ng, opens this month. Ran Dian: Andrew, what brought […] >> Read more

Why walk in areas adjacent to the museum? Why couple the acts of walking with exhibition viewing? Even if the practice of the institution is intimately connected to the local environment, this doesn't necessarily mean that bundling the acts of walking, discussion and exhibition viewing together is a comprehensive response to this issue. >> Read more

As part of China’s standard art education, drawing or painting from life is considered practice - it is mere preparation for a final ‘meaningful’ creation. Yet, Wang Zhibo’s works purposely linger, or rather, continuously return to this condition of practice. >> Read more

(中文) 蔣志的最新個展“去來”呈現了藝術家近年關於人生境遇和生命循環往復的思考軌跡 >> Read more