randian | 燃点

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

October 16th – 30th – 2020 Berlin – Shanghai | M68 – Berlin | La Chapelle – Shanghai M68, (Möckernstraße 68, basement Aufgang D, entrance D) Saturday October 17th 2 – 6 pm Finissage Thursday October 29th 4 – 6 pm (From October 19th – 30th, opening hours by appointment only) Group Exhibition ShanghART Beijing, […] >> Read more

In 2019 Han Feng moved with his family from Shanghai to Berlin. After establishing his new studio, he began working on a new series of paintings in which the support – the ‘stretcher’ – comprises an object, usually a household item Han Feng found in a junkshop in the city >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Introduce A Little Anarchy, Upset The Established Order, And Everything Becomes Chaos >> Read more

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more

Call for Applications (2020 Intake): MFA in Creative Media and MA in Creative Media (City University of Hong Kong) >> Read more

Recently, Wu Chi-Tsung has set up a new studio in collaboration with Vietnamese artist Cam Xanh in Saigon, Vietnam as a significant step of his internationally-minded exploration. >> Read more

William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> Read more

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more