randian | 燃点

Chenchenchen (陈陈陈, a.k.a. ccc, b. 1987) is a Chinese conceptual artist best known for his performance “The Mercy of Not Killing 2.0”, in which he hung ten construction workers from the edges of a 34-meter high tower in Wuxi. >> Read more

303 Gallery presents a new installation by Doug Aitken, titled New Era. >> Read more

Sullivan+Strumpf is pleased to present Mercury, >> Read more

Boers-Li Gallery is delighted to announce the group exhibition, 5 X BERLIN, >> Read more

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

Yuz Museum is pleased to announce Joshua Nathanson’s first solo exhibition in China, “High Flow,” >> Read more

[Press Release] DHAKA ART SUMMIT 2018 2 – 10 FEBRUARY 2018 Artist list and further programme details released 15 November 2017 Produced and primarily funded by the Samdani Art Foundation, the 4th edition of the Dhaka Art Summit will take place from 2-10 February in a public-private partnership with the Bangladesh Shilpakala Academy, the country’s […] >> Read more

Hong Kong— Pearl Lam Galleries is delighted to present the first Hong Kong solo exhibition of Zhou >> Read more

A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin’s utopian short story “Zhongguo 2185”, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. “Zhongguo 2185” envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains—Chairman Mao’s. >> Read more

David Zwirner is pleased to present two major concurrent exhibitions of recent work by Yayoi Kusama on view across three gallery spaces in New York. >> Read more