An occasion to discover the impressive and challenging works of contemporary video artists: Ying Miao and Laura Fong Prosper in the context of our comparative exhibition 'VIVIAN MAIER AND LU YUANMIN - Shanghai Meets Chicago, Chicago Meets Shanghai', prolonged until 26 July, 2015. >> Read more
Leading Australian conceptual artist Scott Redford muses on the place of Anselm Reyle in current postmodern discourse. Reyle, born 1970, retired this year despite being one of the most prominent German artists. >> Read more
V Art Center will launch the solo exhibition of artist Miao Ying — GIF ISLAND in 1 space".As a Chinese new media artist as to the network , Miao Ying attempts to explore the possibilities of the medium, in order to focus on the network growing and changing our life . >> Read more
Echoing the internet’s tendency to confuse or otherwise shatter once simple boundaries, Curating Lab’s recent symposium “When Does an Exhibition Begin and End?” discussed, naturally, a move away from exhibitions as discrete, well-defined, singular units.... >> Read more
From the serious to humorous, the voyeuristic to observed, the real to the imagined, “Haze and Fog” (2013) presents another collective identity of China today by commenting on the rapid construction of the contemporary metropolis... >> Read more
Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more