randian | 燃点

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China art market. >> Read more

Chris Moore spoke with Josh Baer, discussing how he does what he does, and solicited his opinion of the VIP virtual art fair, art funds, gallery-collector ‘loans,’ and the difficult question of art market transparency. >> Read more

So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> Read more

For the last two decades, Sotheby's and Christie's have dominated the Chinese auction market, but since the art market downturn in 2008, the wind has changed. >> Read more

For the last two decades, Sotheby's and Christie's have dominated the Chinese auction market, but since the art market downturn in 2008, the wind has changed. >> Read more

The common plan of attack seems to have been to bring the tried and true, and the result at the Miami Convention Center was a dizzying array of mini-blockbuster shows. >> Read more

Elisabeth de Brabant came to Shanghai in 2004 and soon began working in the then nascent M50 art district. In 2008 she established her own art advisory firm and gallery. Here de Brabant talks with Randian about growing up in a family of New York collectors, the nature of galleries and the problems of the China […] >> Read more