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2020.09.03 Thu, by

Luo Mingjun: “Lointains”

Luo Mingjun assigns multiple meanings to the word “distance” (lointains) – the theme of this exhibition at the Galerie Gisèle Linder. >> Read more
访谈, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
访谈, 2019.10.09 Wed, by

Zheng Bo: Goldenrod

Goldenrod by ZHENG Bo opens as the inaugural exhibition at the new ICA at NYU Shanghai >> Read more
访谈, 2019.07.17 Wed, by

En Plein Air
Simon Lee Gallery, London

Simon Lee Gallery, London, is pleased to present En Plein Air, >> Read more
访谈, 2019.05.11 Sat, by

THE TWENTY-EIGHT PERCENT – Art Brussels 2019

THE TWENTY-EIGHT PERCENT by Sara Kramer At this year’s Art Brussels press conference, it was announced as a positive development that 28 % of the participating artists at this year’s fair were women. To be fair, it is in fact an improvement in comparison to last year where it was only 21 %. Despite the […] >> Read more
访谈, 2019.05.02 Thu, by

42 + 1
ART LABOR

ART LABOR is very pleased to present five artists exploring exterior and interior environments in rich, >> Read more
访谈, 2019.04.08 Mon, by

Katharina Grosse: Mumbling Mud is Opening at K11 Guangzhou

(Guangzhou, March 30, 2019) The solo exhibition of German female artist Katharina Grosse: >> Read more
访谈, 2019.04.08 Mon, by

ALICJA KWADE
ParaParticular
303 Gallery

303 Gallery is pleased to announce ParaParticular, our second exhibition of new work by Alicja Kwade. >> Read more
访谈, 2019.04.02 Tue, by

Hong Kong Museum of Art to reopen in November after facelift

After major expansion and renovation, the Hong Kong Museum of Art (HKMoA) will be reopening in November this year. >> Read more
访谈, 2019.03.08 Fri, by

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

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