randian | 燃点

Much as the Beijing winter has been very mild this year, overall, the art of the past year has also felt rather milder and more sentimental from previous years. Let us then explore the production and exhibition of this “old” contemporary art in the contemporary Chinese art world. >> Read more

Dear Mr & Mrs Singapore: Your children, Art Stage and Biennale, have successfully completed the year and may enter the next class. Here is our report card. They are performing stronger but still have some work to do.
 
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Zigzagging between calm and detached contemplations, photographs of radioactive artificial flowers, suspended bags of self-sustainable ecosystems, paintings of contaminated clouds from power plant explosions and copper plates with news of Greenland's Iceberg breaking off are just some of the visual clues of Leung's inquiries over the ubiquitous and paradoxical limits of progress. >> Read more

"Wondering Clouds" begins with six powerful triptychs in the first room. Each centers on one person, who appears twice. The resultant works are a strange and compelling mixture of banality and embellishment. The second space comes as something of a shock. >> Read more

To celebrate gallery’s 40th anniversary, Galerie du Monde will present a series of exciting and innovative solo and group exhibitions. Apart from exhibiting a number of outstanding contemporary Chinese artists, the gallery will be committed as ever to foster and promote a group of emerging talents from the Mainland. >> Read more

Political Games and the Politics of Play - on “Responsive Institution >> Read more

The opening exhibition of displays none of the experimentation found in the shows at its Shenzhen headquarters, nor any traces of the rash and rushed attempts to “manifest regional culture” evident in the city’s numerous “modern-traditional” architectural hybrids... >> Read more

Chris Gill (b.1970, UK), also known by his Chinese name “Li Yunfei”, has been working in China for 20 years. Chris Gill's first solo exhibition at ShanghART Gallery will present all new works. >> Read more

Yin Xiuzhen’s work lacks clear-cut sense of belonging to any time period or style. Her works are flexible, vague and ambiguous. In Yin Xiuzhen’s work, the warmth obtained from the layers of scarves is unbearable, and that which appears ethereal and hazy hides the greatest danger. >> Read more

On June 27, 2013, the group exhibition “The Black Dwarf/ Part 1” opened at Star Gallery in 798 Art District, Beijing, featuring the works by Navachaa, Liu Fujie, and Fan Xi. >> Read more