randian | 燃点

by Chris Moore The China art market faces its most difficult period since 2008. With the developing US-China trade war, increasing skepticism towards corporate China’s debt (particularly banks), growing uncertainty from political unrest in Hong Kong, and a weakening global economy, not least in Germany, the economic “motor of Europe”, and the continuing UK Brexit […] >> Read more

Zhou Dunyi, a famous ideologist in the Northern Song dynasty, mused in his Tai Ji Diagram that at the beginning of the universe it was Wuji, >> Read more

Chambers Fine Art is pleased to announce the opening on June 22, 2019 of Song Hongquan: Underground. >> Read more

Axel Vervoordt Gallery is pleased to present the exhibition, >> Read more

303 Gallery is pleased to announce ParaParticular, our second exhibition of new work by Alicja Kwade. >> Read more

Ran Dian spoke with Henrik Lindberg, CEO, architect and part of the LINDBERG design team. >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

Kasmin is pleased to present weald, an exhibition of new paintings by Los Angeles based artist Theodora Allen. >> Read more

Simon Lee Gallery, New York, is pleased to announce Invisible Force, an exhibition of new and historical work by Japanese conceptual artist, Keiji Uematsu, his first ever solo presentation in the United States. >> Read more

Simon Lee Gallery, Hong Kong, is pleased to present the first solo show in Asia by New York artist Sarah Crowner. >> Read more