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Hanart TZ Gallery is honoured to present Luohan Tang Collection’s special selection of exquisite antique lacquer furniture together with Zheng Li’s distinctive shanshui (landscape) paintings at our current solo exhibition “Zheng Li : Reflections of the Classical Garden”. Gardens mirror Chinese culture. Inspiration, composition, style are embedded in poetry, painting, architecture, calligraphy and the many important concepts of Chinese […] >> Read more

The screening program is presented by Mr. Fei Jun, Mrs. Margarita Aizpuru, and it is curated by Susana Sanz with the support of the Ministry of Education, Culture and Sport, Government of Spain and China Central Academy of Fine Arts (CAFA). >> Read more

e Sarthe Gallery is pleased to announce a solo exhibition of new work by Zhou Wendou, entitled Bu Qian, curated by Wang Pao Pao, opening on May 20th 2017. The show will continue until June 24th, 2017. >> Read more

de Sarthe Gallery and Art Agenda, S.E.A. is pleased to announce Departures: Intersecting Vietnamese Modern Art with R. Streitmatter-Tran, an exhibition of contemporary and modern Vietnamese art that tracks the flow of artists and ideas between Vietnam and the West over the last century. >> Read more

Asia Art Archive (AAA), in collaboration with the Hong Kong Arts Centre, hosts presentations by scholars and curators Dong Bingfeng, Huang Chien-Hung, and Peggy Wang. >> Read more

Hanart TZ Gallery is honoured to present Zheng Li: Reflections of the Classical Garden, the first major solo exhibition in Hong Kong of Hangzhou-based ink artist Zheng Li. >> Read more

This symposium asks how periodicals in Asia across the twentieth century have fostered conversations about art and emergent forms of visuality. We are interested in how periodicals constitute genealogies of language and nomenclatures around the modern, the contemporary, the indigenous, the nation, arts and crafts, and tradition. >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

How we see matters what we are. This is especially true in the domain of political image and political portraiture. >> Read more

Simchowitz's controversial business model, obstinate personality, omnipresence on social media, and big mouth have consistently earned him a spot at the center of heated and polarized debates about his policy of aggressively stockpiling emerging artists' work so as to compete with galleries and dealers for their market share. >> Read more