randian | 燃点

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more

If we really need to find it out, we may best say that as long as there is the individual, oppressed by reality and the difficulty in expressing their emotions, this passive way of resistance will inevitably reappear. >> Read more

To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> Read more

Faurschou New York resides in a former shoe factory in Brooklyn’s Greenpoint area. Designed by New York-based German architect Markus Dochantschi, the single-story building has a definite Danish understatement. >> Read more

The Guangdong Times Museum is pleased to announce an open call for All the Way South: Residency in Exchange with The Factory Contemporary Arts Centre in 2020. >> Read more

A total of 352 artworks worth around 300 million Euros by Anselm Kiefer, Markus Lüpertz and Renate Graf are supposedly withheld from its owner >> Read more

Simon Lee Gallery, Hong Kong, is pleased to present a group exhibition featuring the works of Holly Coulis, >> Read more

Edouard Malingue Gallery (Shanghai) is pleased to present Wang Wei’s solo exhibition “That is a Layer of Gauze that Mimics the Texture of the Wall” on 7th September. >> Read more

Independent Art Spaces (IAS) is pleased to announce its fourth edition from 6 – 8 September 2019. >> Read more

Simon Lee Gallery, Hong Kong, is pleased to present a group exhibition featuring the works of Holly Coulis, >> Read more