randian | 燃点

STPI ends the year by revisiting the print and papermaking explorations of artists who challenge assumptions and expectations of the contemporary “Chinese” aesthetic. >> Read more

STPI is proud to present “Edo Pop: The Graphic Impact of Japanese Prints” for the first time in South East Asia, a specially curated exhibition of over 50 Japanese woodblock prints from the Minneapolis Institute of Arts collection. >> Read more

The notion of Tiravanija working alongside the Singapore Tyler Print Institute does elicit some sense of fascinated curiosity at what they've produced, particularly under a title like “Time Travelers Chronicle (Doubt): 2014-802,701 A.D.”
 
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At the fair itself, over 245 galleries will be participating—a mix of international blue-chip galleries, top Asian and mainland Chinese galleries, as well as local galleries (We will be writing more when the fair opens).
 
 
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Han Sai Por is a Singaporean artist born in 1943. Having studied abroad, she returned to Singapore in 1983, and has since become an internationally-acclaimed artist—particularly for her stone sculptures based on natural forms.
 
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Ang Song-Ming, tall and lanky, has an easy bearing, with a wry, sometimes incredulous humor that belies the precision and dedication of his work. >> Read more

I went for a walk and came across the National Art Gallery construction site (the gallery reopens next year). Building behind that looks like a spaceship is actually a spaceship from Planet North Korea. >> Read more

With the slogan “We Are Asia,” Art Stage Singapore returns next week for its fourth annual edition. Randian previews this year's fair, with comments from founding Director Lorenzo Rudolf. >> Read more

(中文) 香港巴塞尔艺术展最佳作品
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ShanghART Beijing has the honor of announcing that the solo exhibition of China contemporary artist Sun Xun Magician Party and Dead Crow will be opened on 29th Apr, 2013. >> Read more