randian | 燃点

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

第六届广州三年展以“诚如所思：加速的未来”为题，将这篇开创性文本的深远影响延伸到艺术领域，以反映过去几十年来技术进步的轨迹及其在整个社会范围内的回响。 >> 更多

(English) For this viewer at least, these works stood out in the Triennial's crowd. >> 更多

梁志和最新個展“那是有又沒有”以香港六七暴動為軸心，藝術家透過將個人歷史和社會歷史事件的連結，建構出匯合截然不同的事件、人物和物件的平行世界。 >> 更多

德萨画廊与Art Agenda S.E.A.诚意推出新展《离境：陈德良》，展览融合了越南当代与现代经典艺术佳作，旨在追溯上世纪游走于越南与西方之间的艺术家以及他们的创作概念。 >> 更多

(English) Klein Sun Gallery is pleased to announce Keep Upright, its fourth solo exhibition for leading conceptual artist Shen Shaomin on view from March 4th through April 29th, 2017. >> 更多

艾可画廊荣幸地宣布胡昀个展《叙事病》将在艾可西岸空间开幕。 >> 更多

(English) Hong Kong, June 28, 2016—Lehmann Maupin is pleased to present Radical Materiality, a group exhibition featuring Mary Corse, Liu Wei, and Nari Ward >> 更多

当我初次见到丹·格雷厄姆时，他就像个无名小卒似地靠墙而立，须发皆白，身着格子呢衬衣和旧羊毛衫。
 
 
 
>> 更多

OCAT上海馆将于6月4日起荣幸呈现来自英国的当代艺术群展“遥不可知”. >> 更多