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2016.07.08 Friday, 文 /

转向:2000后中国当代艺术趋势-上海民生现代美术馆

上海民生现代美术馆荣幸带来中国当代艺术群展“转向:2000后中国当代艺术趋势”,并邀请知名美术史家易英先生担任学术主持。 >> 更多
2015.12.28 Monday, 文 /

上海民生现代美术馆新展《语言亭》1月9日开幕

上海民生现代美术馆将呈现群展《语言亭》,集中展示13位/组艺术家的绘画、摄影、影像、装置等多种媒介形式的作品。 >> 更多
2013.09.06 Friday, 文 /

墙上的痕迹

经过中环一浪接一浪的闷热空气、一拨一拨被日常的劳碌放逐的白领洗刷,画廊内克鲁格(Barbara Kruger)的迎头一句“你上次笑是什么时候?” (“When was the last time you laughed?”)可谓来得及时 --彩虹七色的画面上白色字句赫然。在堕进心灵鸡汤式的自我反思前,我急忙把眼光转移到艾敏(Tracey Emin)的《这是爱吗》 ...... >> 更多
Interviews, 2022.01.28 Friday, 文 /

(English) Animal Mineral Vegetable: Angela Bulloch’s Architectural Gestures

(English) Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> 更多
访谈, 2020.12.16 Wednesday, 文 /

(English) Ashley Bickerton
Seascapes At The End Of History

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多
访谈, 2019.05.02 Thursday, 文 /

(English) Tobias Rehberger
‘If You Don’t Use Your Eyes To See
You Will Use Them To Cry’
RAM Shanghai

(English) Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> 更多
访谈, 2018.06.07 Thursday, 文 /

施勇的立体写照:艺术家、艺术工作者及艺术收藏家

作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> 更多
访谈, 2018.05.17 Thursday, 文 /

(English) TOWARDS INFINITY: 1965-1980
Simon Lee Gallery, New York

(English) Simon Lee Gallery New York is pleased to present Towards Infinity: 1965-1980, >> 更多
访谈, 2018.03.09 Friday, 文 /

现实、诗学和谱系,然后呢?

陈界仁的新展“中空之地”透露着一种精致,不仅在于铅灰色的视觉效果,更是来自他对展览中各种元素之间上下文关系的梳理和铺陈,以及进而凝练出的美学气质——严肃、中性、冷静。 >> 更多
访谈, 2017.11.26 Sunday, 文 /

画地为牢:林辉华个展
当代唐人艺术中心 北京第一空间

当代唐人艺术中心北京第一空间荣幸地宣布, >> 更多

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