randian | 燃点

对不起，此内容只适用于English。 >> 更多

(English) For the final exhibition in Blain|Southern’s Lodger series, the British artist Natalie Dray has created a new series of sculptures, which flicker between rigidity and suppleness, the inorganic and the organic, geometric order and the messy chaos of living things. >> 更多

没顶画廊将参与今年 Condo 在上海落地的项目，与英国画廊卡洛斯/石川 (Carlos/Ishikawa) 联合共享没顶画廊位于西岸的空间。届时，没顶画廊将推出居住在北京的艺术家陈英德最新作品，卡洛斯/石川 (Carlos/Ishikawa)则将带来常驻英国的艺术家 Issy Wood 的最新作品。 >> 更多

Mai 36 画廊和上海大田秀则画廊荣幸地呈献中国艺术家臧坤坤与新加坡艺术家陈国良的双人联展“飘渺机器”。 >> 更多

展览由“开火”开始，它像是战争河流中的鹅卵石，162张靶纸铺设了整场展览的路径。 >> 更多

《“核”心家庭》（Nuclear Family）是上海廿一当代艺术博览会今年推出的特别项目， >> 更多

(English) The advent of the home studio in the 1970’s democratized both music and art, >> 更多

第一届安仁双年展“今日之往昔”由艺术史学者吕澎策划组织，希望通过双年展的四大主题板块探究艺术的历史发生，如何在历史、当下与未来可能性之间建立对话。 >> 更多

(English) Simon Lee Gallery New York is pleased to present The Leftovers, a group exhibition organized by Franklin Melendez and Romain Dauriac which explores ideas of shelter. >> 更多

(English) Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions. >> 更多