randian | 燃点

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

(English) Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient. >> 更多

乌戈·罗迪纳最近的雕塑作品 "修女+僧侣 "在艺术家三十二年前引入的叙事中占据了应有的位置。一个由永远不会停止与其他篇章互动的篇章所组成的叙事，其所穿越的轨迹中充满了互文性的疑问、往复、求生、位移和造型与态度的重塑，抑或是不断被重新交涉的审问。 >> 更多

曹雨的作品极简、观念，且蓄意挑衅，这是她对材料的物性进行考量之后的发挥，从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质，包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多

卡斯明与贝浩登荣幸宣布将联合筹办美国艺术家马克•莱登(1963年生于美国)的全 新个展，呈现约40件來自全新“超灵动物”(Anima Animals)系列的作品，同名展 览将于2020年7月3日在贝浩登(上海)开 幕。本次展览将是艺术家在中国的首次个展。 >> 更多

(English) With the eyes and hearts of the world locked onto the threat and aftermath of COVID-19, MOMENTUM gathers 19 exceptional artists from its Collection, and invites you to come see their stories on our website. >> 更多

(English) With the eyes and hearts of the world locked onto the threat and aftermath of COVID-19, MOMENTUM gathers 19 exceptional artists from its Collection, and invites you to come see their stories on our website. >> 更多

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多

(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多

陈天灼以行为艺术最为出名，自称为“后台男孩”，他从观者的角度审视自己的艺术，并“消失在自己的作品中”。 >> 更多