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2013.03.22 Friday, 文 /

新闻综述:古根海姆博物馆投入中国艺术、TEFAF与苏富比商讨在华立项、普利兹克奖、及更多

古根海姆博物馆投入中国艺术、TEFAF与苏富比商讨在华立项、日本建筑师伊东丰雄获普利兹克奖、国家文物局发通知规定第二批限制出境书画名作、香港巴塞尔艺术展艺聚空间将展出17件大型艺术作品... >> 更多
访谈, 2012.06.04 Monday, 文 /

Interview with Elisabeth de Brabant

And there are tremendous artisans in the Chinese market. It would be amazing to see contemporary porcelain. The Koreans are doing very interesting porcelain in contemporary art. It would be nice to be able to go back into woodwork craftsmanship. Chinese contemporary art is getting back into Chinese ink. I think it will happen in time, but it would be nice to see more usage of their ancestry and different crafts. >> 更多
访谈, 2011.10.24 Monday, 文 /

博雅珊访谈

2004年博雅珊(Elisabeth de Brabant)来到上海,不久她就开始在新生艺术区M50工作。 2008年她建立了自己的艺术公司和画廊。 博雅珊和《燃点》谈及她在一个纽约的收藏家庭中的成长、画廊的本质以及中国艺术市场的问题。 >> 更多
访谈, 2011.04.12 Tuesday, 文 /

与Baer Faxt通讯创始人Josh Baer的访谈

墨虎恺(Chris Moore)采访Josh Baer,讨论了后者的工作及工作方式,并就VIP艺博会(VIP virtual art fair)、艺术基金、画廊与藏家的“赊账”及难以言说的艺术市场透明度等问题征求他的意见。 >> 更多
艺术世界, 2011.03.11 Friday, 文 /

拜拜! 盖•尤伦斯 向尤伦斯当代艺术道别

(English) So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> 更多
艺术世界, 2010.10.24 Sunday, 文 /

Talking With Elizabeth de Brabant

Elisabeth de Brabant came to Shanghai in 2004 and soon […] >> 更多
艺术世界, 2020.09.30 Wednesday, 文 /

(English) CCA Singapore Online Benefit Auction – Live Now!

(English) Online Benefit Art Auction for NTU Centre for Contemporary Art Singapore Bidding Period 1 – 18 October >> 更多
艺术世界, 2020.07.26 Sunday, 文 /

制作中:艺术与电影中的工作场

Yonemoto兄弟的录像《好莱坞制造》是展览“制作中”最漫长的一件。 >> 更多
访谈, 2020.06.16 Tuesday, 文 /

(English) Simon Mordant
Contemporary Collector, Modern Philanthropist

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多
思考, 2018.06.14 Thursday, 文 /

做不存在的事

现在,像多数年轻人那样,我经常出入这座在经济与文化都不足以年轻人长住的城市,以继续待在这里做事,对于此地,我了解的不比他们多或少,“我”是他们之一。如何在这更新的前提下做事?如何关联与挪用在不同城市的做事经验?《新时代》(或《利亚元年》)在广州和沈阳的两地排演经历,从微观处给我一些解答。 >> 更多

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