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(English) The Museum of Modern and Contemporary Art in Nusantara (Museum MACAN) announced today that it will officially open to the public in Jakarta, Indonesia in November 2017. >> 更多

繼大英博物館藏文藝復興素描展之後，蘇州博物館現代廳又將迎來一次詩意而當代的變身。藝術家彭薇將攜其五年來的50餘件作品，在貝聿銘設計的園林空間裡用水墨營造出一個融貫中西的對話場。 >> 更多

2016年11月07日，昊美术馆创始人郑好先生、昊美术馆馆长尹在甲先生非常荣幸地宣布昊美术馆（上海）将于2017年5月11日正式对外开幕 >> 更多

(English) Galerie Nathalie Obadia is delighted to present The Forest, >> 更多

猴年伊始，澳大利亚中国当代艺术基金会（ACAF）上海艺术空间迎来了新年的第一个展览，同时ACAF艺术驻留项目也在继续并扩展。 >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

曹雨的作品极简、观念，且蓄意挑衅，这是她对材料的物性进行考量之后的发挥，从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质，包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

(English) Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> 更多