randian | 燃点

(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多

陈天灼以行为艺术最为出名，自称为“后台男孩”，他从观者的角度审视自己的艺术，并“消失在自己的作品中”。 >> 更多

(English) Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> 更多

“造相术”，指涉了蔡东东对于摄影这一媒介的运作机制及其图像生产的反思、解构和再造。 >> 更多

程展偉的《液化陽光》(2014-2015) 同時介入了加法和減法: >> 更多

(English) Ashes to Ashes at Sullivan+Strumpf marks Adeela Suleman’s first solo exhibition in Singapore. >> 更多

位于西九文化区、致力收藏二十及二十一世纪视觉文化作品的香港博物馆M+公布入围首届希克奖的六位艺术家名单， >> 更多

Jorg Immendorff, The saints-Leda und die Schwane, 1984 […] >> 更多

墨斋画廊隆重呈现著名艺术家李津早期作品回顾展“骨与肉”， >> 更多

Schneemann was one of the most significant artists of the postwar period. Her work forever redefined our understanding of the body, desire, violence, sexuality, and gender, and remains of crucial importance for the study of feminist art histories. >> 更多