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2020.08.17 Monday, 文 /

幻象颗粒,没顶画廊,上海

在经历了数月的空间设计与改造后,没顶画廊将在全新空间、以全新姿态,呈现蔡坚、冯至炫、李汉威、陆博宇、陆平原、王梓全、钟慰七位年轻艺术家的最新作品,以绘画、雕塑、视频装置、文本等多元媒介和混合视觉回应当下的数字生态与视觉语言。 >> 更多
2020.06.30 Tuesday, 文 /

复苏、迂回与动荡

尽管疫情仍在全球蔓延,但在5月底的北京,随着画廊周北京的举办和两家新美术馆的开馆展,艺术界似乎在逐步恢复展览的节奏,然而6月初新发地疫情的出现,又让北京绷紧了神经。 >> 更多
访谈, 2020.06.28 Sunday, 文 /

郭雅希:在变革中保持沉默

天津是中国最“沉默”的直辖市,是现代性在中国命运的一个缩影。其现代艺术也是如此:不同于北京的激进和前卫,而是保持着那种“温情脉脉”,又不失生活情调的不合作姿态。当年天津第一个前卫艺术运动“鸣社”的成员,批评家、“实验水墨”理论家,天津美术学院教授郭雅希也是这样一个沉默的人。 >> 更多
访谈, 2020.06.20 Saturday, 文 /

联合构筑

对个体生命价值的确认,和对这个基础上其他权利的不断确认,让“自由”的边界不断延展,创造力因此源源不断,积极刷新着认知,经验的世界也相应的加速生长着。对身在这个流动变幻现场中的很多人来说,巨量陌生信息中裹挟的新的可能性,以应接不暇的意外,反哺着陈旧的想象力。 >> 更多
Artist profiles, 2020.06.17 Wednesday, 文 /

柳溪 Paradox

(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多
Artist profiles, 2020.04.23 Thursday, 文 /

张培力《关于强迫症的年度报告》(仁庐空间)

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多
Artist profiles, 2020.04.21 Tuesday, 文 /

(English) ‘The Mirror Sees Best in the Dark’: A solo by Bose Krishnamachari after 9 years

(English) Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> 更多
Artist profiles, 2020.03.07 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多
Artist profiles, 2020.02.08 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多
Artist profiles, 2020.01.13 Monday, 文 /

(English) Natee Utarit & Nadiah Bamadhaj
Richard Koh Fine Art, Singapore

(English) To inaugurate its 10-year anniversary celebration in Singapore, Richard Koh Fine Art (RKFA) kicks off the year with two special solo presentations by Natee Utarit and Nadiah Bamadhaj. RKFA is pleased to announce two highly anticipated exhibitions titled DÉJÀ VU: Your Past is My Future by Natee Utarit (b.1970) & Dreaming Desire by Nadiah Bamadhaj (b.1968) at RKFA Singapore. >> 更多

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