>>
搜索 >>
EN
>>
<<
>> randian 《燃点》艺术网站  >> 关注+燃点  >>

SEARCH AGAIN

CATEGORY
 
日期
  从:
  至:
  日期格式: 1/30/2012
关键字
 
  >> Search
访谈, 2020.12.16 Wednesday, 文 /

(English) Ashley Bickerton
Seascapes At The End Of History

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多
访谈, 2020.08.17 Monday, 文 /

幻象颗粒,没顶画廊,上海

在经历了数月的空间设计与改造后,没顶画廊将在全新空间、以全新姿态,呈现蔡坚、冯至炫、李汉威、陆博宇、陆平原、王梓全、钟慰七位年轻艺术家的最新作品,以绘画、雕塑、视频装置、文本等多元媒介和混合视觉回应当下的数字生态与视觉语言。 >> 更多
访谈, 2020.06.20 Saturday, 文 /

柔弱者生之徒

(English) Kunsthalle Lissabon presents The Soft and Weak Are Companions of Life 柔弱者生之徒, the first solo show in Portugal by Hong Kong-based Zheng Bo. >> 更多
访谈, 2020.06.07 Sunday, 文 /
艺术家档案, 2020.05.07 Thursday, 文 /

(English) Claire Kerr –
On Going for Walks and Taking Photographs

(English) William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> 更多
艺术家档案, 2020.04.20 Monday, 文 /

(English) The End of the World

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多
艺术家档案, 2019.12.19 Thursday, 文 /

(English) MAI-THU PERRET
News From Nowhere
Simon Lee Gallery, Hong Kong

(English) The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> 更多
艺术家档案, 2019.11.19 Tuesday, 文 /
艺术家档案, 2019.11.08 Friday, 文 /

2019台北艺术博览会

我简单写下我对本次台北艺术博览会的印象: “它既非常年轻,有着少年的不安感和乐观主义精神,也已苍老,透着饱经世故之后和人之老矣的一丝懈怠。 >> 更多
艺术家档案, 2019.09.27 Friday, 文 /

如何比赛,怎样舞台

它们在繁华与寂寥、权力与规训、国家与个人的两极穿梭,不间断地继续着比赛,而这正是“比赛继续,舞台留下”的意义。 >> 更多

« 上一页 下一页 »