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2020.08.17 Monday, 文 /

幻象颗粒,没顶画廊,上海

在经历了数月的空间设计与改造后,没顶画廊将在全新空间、以全新姿态,呈现蔡坚、冯至炫、李汉威、陆博宇、陆平原、王梓全、钟慰七位年轻艺术家的最新作品,以绘画、雕塑、视频装置、文本等多元媒介和混合视觉回应当下的数字生态与视觉语言。 >> 更多
2020.08.04 Tuesday, 文 /

林穴先生去世(1968-2020)

林穴先生去世(1968-2020) >> 更多
2020.08.01 Saturday, 文 /

数字错乱症:线上没有救星

制造点小小骚动,打乱原有的秩序,然后一切就变得混乱了 >> 更多
2020.04.22 Wednesday, 文 /

(English) We Move Among Ghosts
Jakarta Exhibition Explores the Ephemeral Nature of Values, Symbols, and Systems

(English) I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> 更多
访谈, 2020.03.16 Monday, 文 /

(English) Lu Yang Devil Kaiju Kills Painting !
(Marilyn Manson says hi)

(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多
访谈, 2020.01.15 Wednesday, 文 /

(English) Gallery Weekend Kuala Lumpur 2019

(English) The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> 更多
访谈, 2020.01.10 Friday, 文 /

(English) Ji Dachun
“Rain in rain, cloud in cloud, at no one’s fingertips”
Nagel Draxler, Berlin

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多
访谈, 2019.12.19 Thursday, 文 /

(English) Matti Braun
Ku Lak
Esther Schipper, Berlin

(English) Esther Schipper is pleased to announce Ku Lak, Matti Braun’s sixth solo exhibition with the gallery. The exhibition will include 16 works from a new series of silk paintings and approximately 25 new glass works, the latter presented on three circular plinths designed by the artist. >> 更多
访谈, 2019.11.24 Sunday, 文 /

萨拉·卢卡斯:即兴的女权

从艺术创作的角度讲,创作者需要在“普世化的女性艺术”的前提下自然而然地展示自己的视角,萨拉卢卡斯式的“即兴”创作方式即是在践行这种视角,避免自我“她者化”的存在。 >> 更多
访谈, 2019.11.18 Monday, 文 /

基弗、吕佩尔茨、格拉夫354件作品疑遭扣留涉及价值达24亿

基弗、吕佩尔茨、格拉夫352件作品疑遭扣留涉及价值达24亿。 >> 更多

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