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访谈, 2020.06.16 Tuesday, 文 /

(English) Simon Mordant
Contemporary Collector, Modern Philanthropist

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多
访谈, 2020.04.20 Monday, 文 /

(English) The End of the World

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多
访谈, 2019.12.20 Friday, 文 /

(English) M+ Sigg Prize 2020 Nominees Announced

对不起,此内容只适用于English。 >> 更多
访谈, 2019.12.03 Tuesday, 文 /
访谈, 2019.11.19 Tuesday, 文 /
访谈, 2019.08.27 Tuesday, 文 /

汉斯·哈同
贝浩登 上海

贝浩登(上海)欣然举办汉斯•哈同个展,这是继其于 2005 年在中国美术馆和南京博物院的展览之后于中国内地的首次个展。 >> 更多
访谈, 2019.08.06 Tuesday, 文 /

(English) Clare Woods: Doublethink
Simon Lee Gallery,London

(English) ‘The power of holding two contradictory beliefs in one's mind simultaneously, >> 更多
访谈, 2019.07.25 Thursday, 文 /

性别,何时沦为暴力的注脚?

(English) 对于“性别的暴力”的审视,总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述,经由身体和文化的建构,都会反作用于评论者自身,成为一种自诘式话语的变体。 >> 更多
访谈, 2019.06.17 Monday, 文 /

黄静远:感情基础

静远似乎更情愿从作为“创作者”的艺术家退居为作为“观察者“的艺术家,以一种事无巨细,现实主义式的,迂回细致的手法切开艺术圈的脉搏。 >> 更多
访谈, 2019.05.02 Thursday, 文 /

(English) Tobias Rehberger
‘If You Don’t Use Your Eyes To See
You Will Use Them To Cry’
RAM Shanghai

(English) Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> 更多

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