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—— 李杰在民生美术馆个展《每一口气》评论 >> 更多

Ecce Homo. “Behold the man,” Pontius Pilate said to the public when he crucified Jesus Christ. The same phrase was taken by Friedrich Nietzsche for his autobiography, which he finished in the last years of his ontological pursuit. Again, Tsang Kin-Wah borrows the same words to title his latest show at Pearl Lam Gallery Hong Kong, where he reinterprets the prosecution of Romanian dictator Nicolae Ceausescu. >> 更多

谢墨凛的这些机械绘画最初和他在五金店买的两把锯子有关系。而几年之后，这些作品挂在了画廊的墙上——给他的这个系列提供灵感的正是金属般精致的颜料。 >> 更多

On the occasion of Andreas Gursky's first solo show in Asia, Jiang Zhi, a leading artist and photographic practitioner from China, spoke with the revolutionary photographic artist. Jiang Zhi: You “capture” images that interest you in the real world. One characteristic I noticed about these images is the strong attraction for the schema/forms that we see in the world. >> 更多

Its profile may be lower than other galleries in 798, but Space Station should by now have a reputation for strong and inventively installed exhibitions by emerging artists. The latest of these was Hou Yong, a painter born in 1976 in Beijing, whose solo outings to date have been aqueous in theme. A long-running series called Black from circa 2006–2008 shows figures swimming in glossy, dark water. >> 更多

上海当代美术馆近日开幕的东亚当代艺术展以“怀念”为题，聚集了中国、日本和韩国的14名艺术家的作品，欲以表达对受西方近代艺术影响的东亚当代艺术发展过程中逐渐缺失的传统艺术的怀念之情... >> 更多