randian | 燃点

(English) Kasmin is pleased to announce an exhibition of selected works from the collection of the celebrated New York poet and art critic, John Ashbery (1927 – 2017). >> 更多

(English) Sullivan+Strumpf is delighted to present an exhibition by Singapore-based Dawn Ng at its Sydney Gallery. >> 更多

(English) Taipei Dangdai announces a stellar line up of 90 galleries from across the globe, to kick off the 2019 art world calendar. The first edition of the fair attracts a strong participation of leading international galleries who will exhibit in Taipei for the first time, whilst showcasing the very best of Asia. >> 更多

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(English) “It often strikes me” says Ng “that when someone says they miss something >> 更多

在当代的伦常世界里，人的躯体往往具有一种稳固的神圣特征。人体成了一种象征“人性”价值完整性的符号装置。关于肢体分离的古代刑罚进而显得“不人道”并遭到抛弃。与此相对，出于挑衅世俗人性准则的动机，当代艺术中许多作品往往选择以“去人性化”的态度对人体展开改造、拆解与重组。由于观念的深浅有别，艺术家在改造人体时所依靠的逻辑有着天壤之别。 >> 更多

(English) David Zwirner is pleased to present the United States premiere of Jordan Wolfson’s most recent video work, Riverboat song (2017-2018). >> 更多

马特·穆里肯，图像世代艺术家，以其富有标识和旗帜之作品及先锋的催眠行为艺术而闻名，于去年十一月的西岸艺术设计博览会上他举办了在中国的首次展览，特别展示了他的旗帜作品。 >> 更多

1991年，费大为在巴黎以“无须费皮”的笔名，给身在北京，笔名为“杂毛连须公”的艺术评论家和策展人栗宪庭写了一封信。费的这封信回应了栗宪庭的担忧：“如果艺术离开了文化母土，则必然会枯竭。” >> 更多

(English) George Condo’s first solo show in Hong Kong, “Expanded Portrait Compositions”, opens at the Hong Kong Maritime Museum. Organized by Sprüth Magers and Skarstedt, it comprises major new work by one of the most influential living painters. >> 更多