randian | 燃点

“新月”展希望通过这个兼具研究、挖掘和再想象的案例呈现，勾描对于我们今天来说一些仍然重要和具有深刻关联性的理论议题。在无法摆脱虚无主义情境的当下，这个展览也希望通过激发创作个案与研究的对话，讨论受压抑的历史经验和美学经验如何影响和塑造今天关于创作的价值观和意识。 >> 更多

2018年3月24日至5月27日，上海外滩美术馆很荣幸向您呈现最新群展“行将消退”， >> 更多

中国文化形成的基础——象形文字，是“近取诸身、远取诸物”的具像模拟思维。这直接影响了中国人十分具象的思维方式， […] >> 更多

臺北市立美術館（北美館）經歷充分的內外部研究諮詢評估以及二階段推薦過程，宣布由吳瑪悧與范切斯科．馬納克達（Francesco Manacorda）共同擔任第十一屆2018台北雙年展策展人，展覽預計聚焦人與自然兩者間生態結構的雙向連結。 >> 更多

香格纳北京将于2017年12月2日荣幸推出艺术家李然个展——《客旅生活》，这是李然在香格纳画廊的第一次个展。本 […] >> 更多

(English) After the second exhibition period with Erik Parker, Faurschou Foundation is pleased to present the next Virtual Reality artwork, C.S.S.C. Coach Stage Stage Coach VR experiment Mary and Eve by Paul McCarthy from 29.10.17 - 24.11.17, previously shown in connection to this year's Venice Biennale. >> 更多

(English) White Cube is pleased to present new work by Christian Marclay. This exhibition, his first in Hong Kong, includes a series of unique, large-scale woodcut prints that explore the physical and cultural intersection of sound and vision, reflecting the artist’s ongoing interest in the sonic perception of still images. >> 更多

(English) ShanghART had a standout solo-presentation of Liang Shaoji (museums everywhere take note: we need to see a major retrospective of Liang Shaoji). BANK (Shanghai) was present at Frieze Masters with a presentation of Maryn Varbanov's woven sculptures and Antenna Space brought a series of paintings by Cheng Xinyi. >> 更多

此次研讨会由Kristiina Koskentola和激发研究所策划，并由北京德国文化中心·歌德学院(北京)承办。 >> 更多

(English) Galerie Huit is delighted to announce its move to Kwun Tong with the inaugural exhibition ‘The Best of Everything’ by award winning artist, Zhu Tian. >> 更多